Ongoing

I read pretty much the entirety of Perri Knize's Grand Obsession in one day. It was fabulous. I was worried at one or two points that it was going to veer a bit too far into the mystical (and coming from me that's saying something) but it righted itself in time. After all, how do you define how music affects us? It's a twofold story about a woman deciding to study piano in middle age and buying one, then trying to understand what the personal connection to a specific instrument is (not violin or cello or piano, but one specific example of the chosen instrument), and an exploration of how pianos are built and maintained. Really engaging and quite enjoyable.

We had our second rehearsal with our third guest conductor, and I enjoyed it even more than the first. He's good. There is a problem with his voice carrying to the back, but he's terrific in his bilingualism, and his musicality and his interaction are fabulous. He knows exactly what to work to smooth out problems, and how to phrase what he's looking for. We've added Grieg's Norwegian Dances to the programme, and (hurrah!) Vaughn Williams' English Folk Song suite. Of course, the Vaughn Williams starts in A-flat major (F minor? no, pretty sure it's Ab) which is four flats, augh! I have enough trouble remembering to flatten my As, and he wants me to flatten my Ds as well? But it is Vaughn Williams and I am over the moon.

Also in cello news, while I was working on some ensemble stuff earlier this week and trying to isolate why my intonation was unstable, my left elbow kind of said, "Oh, I've got it," and moved a millimetre or two forward on the horizontal axis, all on its own. And it solved the problem. I was amazed and very grateful to it. Perhaps the next time I have a problem of some kind I shall consult it.

I've had a series of excellent cello lessons with small but significant breakthroughs like that over the past couple of weeks. Of course, there was also that monthly group cello lesson where we worked on ensemble pieces for the upcoming recital. For some reason I couldn't get comfortable with the length of my endpin or the angle of my cello. I blew stupidly easy shifts while playing solo (naturally). Moral of the story: Revisit your ensemble pieces regularly, even if the last time you played them they were easy and note-perfect. I am appropriately humbled.

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* Owls' Court: the main journal
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