Second-Guessing The Gavotte

Last Saturday morning I had my first cello lesson in just under a month (twenty-six days, to be precise). Suddenly I had to decide between the Lully gavotte and the Bach gavotte for the June recital, which felt slightly unfair because we’d set the deadline at the last lesson at the beginning of April and I haven’t had a chance to work on it with my teacher since then. I really do want to play the Bach, though, so my teacher said we’d do it. On the way home I second-guessed myself and was sure I’d made the wrong decision, and I’m still fairly certain I’ll blow it badly. But then, I’d feel the same way about the Lully, so I can’t win either way. In the lesson we worked on the upper body being free to move from side to side with the elbow-led bow stroke, which felt very awkward and wrong, but it did create some very nice sound. I think I’m too locked up when I play, so my teacher’s trying to get me to loosen up while still being aware enough of my body to control the sound.

Things to remember: Keep fingers aimed more toward the bridge instead of parallel to it, remember to use the back of the thumb instead of only the side in thumb position, don’t shortchange the last note before a new bow or phrase, stop leading RH movement with the wrist (my teacher was also initially trained to do this and her teacher still calls her on it, so I don’t feel as hopeless about this as I could, although I still feel pretty hopeless indeed), and the speed of the shift needs to match the speed of the song.


* The original post at Owls' Court
* Owls' Court: the main journal