Canada Day Concert Redux

It is my very great pleasure to share with you the video taken of the entire Canada Day concert.

Bless Martine and Daniel for shooting the HD footage, for editing it and posting it to YouTube; and even more so for burning all those concert DVDs for the orchestra members! It was a real treat to sit back and enjoy the concert the way the audience did, and as the Blu-Ray player and TV are hooked up to the surround stereo and subwoofer, I got to hear the orchestra in all its glory. (Okay, the church is very echoey, and at times our articulation isn't as clear as it could have been and those two issues = occasional muddy sound, but hey! There's sound to be heard!) And I appreciate it all the more because my audio recording was such a miserable mess.

Calixa Lavallée's O Canada

Schubert: Symphony No 3 in D Major

1. Adagio maestoso - Allegro con brio

2. Allegretto

3. Menuetto - Trio

4. Presto vivace



Vaughan Williams: Suite of English Folk Songs

1. March - Seventeen Come Sunday

2. Intermezzo - My Bonny Boy

3. March - Folk Songs from Somerset



Fauré's Pavane



Grieg: Norwegian Dances

1. Allegro Marcato

2. Allegretto tranquillo e grazioso

3. Allegro moderator alla Marcia

4. Allegro molto



Encores

1. Vaughn Williams suite excerpt

2. sing along O Canada

Overall, I am very pleased with my performance in this video. Two things leap out at me. One, I tend to make small faces while I play, mostly tightening of the mouth during different phrases. It's not in reaction to mistakes, it's more like... expression. It probably can't be seen from the audience, but seeing it on screen when the camera was on the celli was very odd. This summer I'm going to work on relaxing the muscles around my mouth when I play. And two, I've been working on lowering my right elbow, and damn it, every once in a while it pops up like a chicken wing. Down, elbow! Down! Something else to work on this summer.

There were a couple of places in the video when I waved my hands at the screen and said, "The celli! The CELLI! They have the theme, the violins are just playing a repeated note -- pan RIGHT!" And there was the odd place where the camera would pan to the brass... just in time for them to lower their instruments. But those are understandable in a live recording, and really, I'm just thrilled to have the record of the event. Especially on DVD! Merci encore, Martine et Daniel, vos efforts et votre générosité sont vraiment appréciés!

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* The original post at Owls' Court
* Owls' Court: the main journal
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Canada Day Concert Review

Every year around this time I say something along the lines of "best concert ever." I feel rather like the boy who cried wolf, because I've said it so many times now that you're not going to believe me when I say that no, this was the best Canada Day concert I've ever had the joy and honour of playing in. No, really. No hyperbole here. I can produce witnesses. A couple of hundred of them, even.

Thank you so much to everyone who came out, including (but not limited to!) HRH and the boy, my in-laws, Marc, MLG, Daphne, Lu, Tamu and Patrick, Jeff and Paze and Devon, and I'm sure I'm forgetting somebody. A couple of fellow cello students were in attendance, too, and it was fun to see them. Thanks must also go out to Ceri and Scott, who hosted a pre-concert barbeque with the intention of leaving with everyone else, but who were detained by a sulky house with plumbing issues. (Scott, you grilled our steak to perfection; thank you.)

I've been talking about recording a concert for aeons, and I finally brought the MiniDisc to this one. I'm heartbroken to hear that the levels were too high, and because an awful lot of last night was Loud with a capital L, there's static and popping and muffling throughout it all. Still, I can hear how good it was under the poor sound quality. I wish I'd thought to check levels during warmup, but I completely forgot I had the thing in my bag. This is better than nothing for me, though, because it showcases the precision and interpretation. The recording is also somewhat weighted toward the celli, bass, and tympani, because, well, that's the side I sit on (although the mic was just a foot left of centre) and all those instruments have deadly low frequency levels that together can really distort a recording. I can't do much about it with Audacity; I'm hoping that I can transfer the files to a Mac-friendly format and work on them in GarageBand once the Mac Mini has been acquired at the end of the month.

(I'm transferring the recording to the computer now, and hello, I nailed the exposed cello solo line in the Pavane, which was the one I was worried about. Ha! A wee bit off on the first cello-led phrase in the Grieg dances, but I'm attributing that to the somewhat, er, accelerated speed at which we played them. Also? Best rendition of the Pavane out of the three times we've played it since I joined. I think the proper speed is key; go too slowly and it dies a dead death. It's solemn, not funereal.)

We got to use risers for the first time, bringing us all onto the same level and lifting us above the audience. I think it made a lot of difference sound-wise. This conductor set his music stand between the second chairs of the violins and the celli; he likes being right in the middle of things. I kind of like it too; I don't have to crane my neck so much.

This conductor is dynamic, focused, has wonderful musical expression, has already dragged us beyond the level at which we were functioning, and comes with a host of fringe benefits like established connections within the musical and cultural communities. I think the vote on Sunday is a no-brainer, but I am only one of forty people, and there's a money issue which I think is an obstacle of principal for some. I want to keep working with him, actively want to, as opposed to being happy with my performance under one of the previous guest conductors. Even with the poor recording quality, I can compare them to the performance caught on video in the fall, and I think there's no comparison. This performance was much more crisp and vibrant.

It was really good to feel capable during this entire concert. And I don't think I'd have felt this comfortable if we hadn't struggled with the Bizet and Mendelssohn for the last concert. I've made tremendous strides forward this past season, what with the new cello, a new teacher, and this varied selection of music chosen by three very different conductors. Just working with a teacher has made a world of difference, enabling me to shift and nuance what I'm doing in a way I couldn't do before. I am extremely pleased with my performance last night.

Afterward, while we were waiting for the fireworks to begin, Patrick asked me what a conductor actually does other than stand up there and wave his arms at a performance, and I realised that if you're not a musician familiar with the rehearsal process you probably have no idea that the conductor is literally the director of the whole show from beginning to end. He chooses the music, guides the interpretation, asks for more or less from various performers, tweaks phrasing and delivery, and is basically responsible for what makes it different from other versions one hears. He's the observing ear who reflects what you've just played back to you and tells you how to make it better, something that's hard to do when you're sitting in the middle of it.

And my new 7/8 baby performed very well. I played it in the spring concert, but it's really opening up and sounded even better this concert. After my week away I picked it up and it sounded very rich, heavy on the ringing tones and with remarkably full resonance. Impressive. I am very happy with it. It was a good lateral move, indeed. I even like the fibreglass bow that came with it. It's wouldn't be my choice of bow, but it's got good balance and resistance. My favourite bow is warping, and that cracked frog has to give out sometime. This fall I'll start the bow search.

We were even fortunate weather-wise. The day was mostly bright, although a glorious thunderstorm boomed and cracked during our hour-long warmup. There was a particularly amusing moment where we were counted in and the thunder rolled on the beat we were to start on; apparently the storm wanted to play too. The rain ended forty-five minutes before we began, though, so everything was fresh and clean and cool for the concert itself. And the fireworks were spectacular; there were some I'd never seen before. It was the boy's first firework experience, and he loved them. "They're loud!" he exclaimed from his father's lap, where he was sitting all wrapped up in a blanket provided by his godparents. "And they're all my favourite colours!" At various points during the day yesterday he randomly yelled out, "Happy birthday Canada!" and waved the tiny flag someone handed him early in the day while we were out. We almost got caught by the parade downtown; if we'd known about it we might have planned to attend. Next year, I think.

One more lesson, and then I'm off till mid-August. Marc's piano has been tuned, so I think we'll mess about together in the interim. I transposed "Itsudo Nando Demo" the other day using Forte, and it was very worth the time. I can read treble and transpose down as I play for a couple of measures at a time, but not three pages' worth.

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* The original post at Owls' Court
* Owls' Court: the main journal
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C Minus Six Hours

I've packed my concert blacks (long skirt this year, TYVM, since last year's pictures showed that my mid-calf length dress was still too short), various toiletries and hair clips, and weeded non-essentials out of my music bag. I've got the MiniDisc ready to go (because yes, I'm going to try to record this one, the Vaughn Williams is that good). There's a steak thawing on the counter to take to Ceri and Scott's, where we're heading for an hour once the boy is up from his nap. There will be beer. I need to pack the boy's backpack still, but other than that, I suspect I'm basically done.

Looks like the weather will be kinder than expected; the POP is now only at 40%, and there's a nice wind. The high tonight is supposed to be 17 degrees. I think I'll risk wearing my new black leather mules, and bring an emergency pair of shoes to wear in case it rains.

Music stand. Must pack the big music stand.

Happy Canada Day, everyone. HRH has already cracked open my Canada Day gift to him, a special edition Innis & Gunn. Enjoy your day. See you on the other side.

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* The original post at Owls' Court
* Owls' Court: the main journal
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Concert Reminder!

Tomorrow is Canada Day. And you know what that means: Excellent music!

Lakeshore Chamber Orchestra presents their annual Canada Day Concert
Wednesday July 1, 20h00
St-Joachim church, 2 Ste-Anne St, Pointe-Claire Village
Guest conductor: Stewart Grant
Programme:

Symphony no. 3 - Schubert
Pavane - Fauré
Norwegian Dances - Grieg
English Folk Song Suite - Vaughn Williams

The 211 bus from Lionel-Groulx metro stops at the corner of Sainte-Anne and Lakeshore, a block or two north of the church. Here’s a map to give you a general idea. Be aware that if you’re driving, parking will be at a premium because of the whole Canada Day festivities thing going on. Give yourself extra time to find a parking place and walk to the church, which will be packed with people.

Free classical music! Soul-enriching culture! And as an enticing bonus, the fireworks are scheduled for ten PM, right after we finish, and the church steps are a glorious spot from which to watch them.

Free admission, and open to the general public. The more the merrier!

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* The original post at Owls' Court
* Owls' Court: the main journal
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General Yayness

Today the latest paycheque for recent freelance services arrived, on top of the provincial tax refund and the usual child assistance cheque earlier this week. I have a very nice deposit to make at the bank after my cello lesson this afternoon. Of course, municipal taxes and the car insurance and registration are also due. It never gets any easier. I handed in my latest assignment yesterday and am taking a month of leave from the freelance gig, because there's two weeks of family vacation wherein I will accomplish nothing even when we are home, and I need to get some work for myself done. Orchestrated is just sitting there and I want it done and gone to make its rounds.

I came home from orchestra last night wired and very awake. Things went really, really well. The rest of the brass section joined us, and as they sit behind us I didn't know they were there till they tuned with the rest of the horns we usually have. I jumped; some of the violins laughed at me. I love having a brass section at Canada Day; it adds such a nice rich texture to the lower tones. Anyway, I was very awake, and didn't get to sleep till after one o'clock. I had a whole blog post written up in my mind but have essentially forgotten it.

I'm really enjoying working with this guest conductor, and I made a point of telling him so last night. Each guest we've had lead us has gotten better and better. I prefer this one the most. I hope the majority of the orchestra votes to accept a fee increase so that we can keep him. I think he's worth it, and our yearly dues are ridiculously low to begin with.

And in other orchestra news, practising problem parts really does make them better. Who'd've known? The only problem is that due to time constraints and prioritization, I don't practise the easier bits, so sometimes we get to places which ought to be easy and I stumble.

Took the boy to the doctor this morning; he's about 38 lbs and 40 inches, two more and an inch more than six months ago, respectively.

Tomorrow night: I buy the 7/8 and it is mine, mine, mine!

Right. Now, lunch.

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* The original post at Owls' Court
* Owls' Court: the main journal
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All Cello, All The Time

Yesterday was all cello, all the time. Well, not precisely; I did three hours of errands and grocery shopping and such in the morning. But I had an excellent two-hour duet rehearsal with my partner, then had half an hour to tidy up, and headed then off to my cello lesson. It was great to hear my teacher say that it was really coming together, and there were just twiddly things to do to the duet. When I was packing up she said that in general I was sounding good: my bow was more confident, and my intonation was really improving. It put me in a great mood as I left, and it stayed with me for the rest of the day, even through the traffic from hell on the highway that nearly made me late to collect the boy from the caregiver. (Hello, construction season. I have not missed you.)

The night before had been orchestra, so in effect I had five hours of cello in the space of eighteen waking hours. *flexes her callouses* I have to find a way to keep my left hand relaxed through the Vaughn Williams; I'm using way too much pressure. It's not like I have to press any harder with my left fingers if I'm playing louder, after all. It's all about bow speed.

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* The original post at Owls' Court
* Owls' Court: the main journal
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Ongoing

I read pretty much the entirety of Perri Knize's Grand Obsession in one day. It was fabulous. I was worried at one or two points that it was going to veer a bit too far into the mystical (and coming from me that's saying something) but it righted itself in time. After all, how do you define how music affects us? It's a twofold story about a woman deciding to study piano in middle age and buying one, then trying to understand what the personal connection to a specific instrument is (not violin or cello or piano, but one specific example of the chosen instrument), and an exploration of how pianos are built and maintained. Really engaging and quite enjoyable.

We had our second rehearsal with our third guest conductor, and I enjoyed it even more than the first. He's good. There is a problem with his voice carrying to the back, but he's terrific in his bilingualism, and his musicality and his interaction are fabulous. He knows exactly what to work to smooth out problems, and how to phrase what he's looking for. We've added Grieg's Norwegian Dances to the programme, and (hurrah!) Vaughn Williams' English Folk Song suite. Of course, the Vaughn Williams starts in A-flat major (F minor? no, pretty sure it's Ab) which is four flats, augh! I have enough trouble remembering to flatten my As, and he wants me to flatten my Ds as well? But it is Vaughn Williams and I am over the moon.

Also in cello news, while I was working on some ensemble stuff earlier this week and trying to isolate why my intonation was unstable, my left elbow kind of said, "Oh, I've got it," and moved a millimetre or two forward on the horizontal axis, all on its own. And it solved the problem. I was amazed and very grateful to it. Perhaps the next time I have a problem of some kind I shall consult it.

I've had a series of excellent cello lessons with small but significant breakthroughs like that over the past couple of weeks. Of course, there was also that monthly group cello lesson where we worked on ensemble pieces for the upcoming recital. For some reason I couldn't get comfortable with the length of my endpin or the angle of my cello. I blew stupidly easy shifts while playing solo (naturally). Moral of the story: Revisit your ensemble pieces regularly, even if the last time you played them they were easy and note-perfect. I am appropriately humbled.

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* The original post at Owls' Court
* Owls' Court: the main journal
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First Rehearsal With The New Guest Conductor!

First rehearsal with the new test conductor last night, and what fun. He had us playing the Schubert passably in pretty much no time at all. He's younger than I thought (by quite a bit) and an oboist. We were missing an oboe so he pulled his out and wandered around playing the oboe theme while conducting. It was mildly alarming to have an oboist wander at you at various points, but it certainly encouraged each section to play out when they were supposed to. He greeted us in French and talked to us equally in both languages, which impressed us. I already like his musicality and his personality. There were grumpy people making their grumpiness known, but that's not unusual, alas.

Best news of the night: One of the pieces he's considering programming is Ralph Vaughn Williams' English Folk Song suite! I bounced in my chair with excitement. (Otherwise I sat there in mild pain, because the particular chair I was in slanted nastily toward the back. Ugh. Time to look into one of those firm wedge cushions.)

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* The original post at Owls' Court
* Owls' Court: the main journal
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In Which She Chatters About Cello Stuff

It's confirmed: we're trying out a third conductor tonight! And I am very happy because there was a bit of kerfuffle about memberships dues not covering what this conductor requested as his fee, but the majority of members were okay with paying a supplement to obtain his services for this concert. If we decide he's the one for us then membership fees will go up, and I'm perfectly fine with that; we pay a ridiculously low fee as it is, and more than doubling it only brings us to ten dollars per month the orchestra plays each year. If he's as good as his reputation suggests he is, we'd be getting a real deal. Also, audiences would increase because of his affiliation with other musical events and organisations, and our recruiting of new members would also increase. There's a lot of potential here.

Apparently we are playing Schubert's third symphony as the main course for the July concert. So naturally, while looking for audio reference, I discovered that I own only the first, second, and fourth symphonies. I went away and thought about it for a while, then remembered that I'd bought a full six-symphony set the last time we did a Schubert symphony (the fifth?), because the set was less expensive than a single CD with the fifth on it. I had to hunt it out, though. It wasn't with my other Schubert CDs. I blame the boy, who used to pull CDs out and then reshelve them in interesting new places. I checked my records and apparently I've played Schubert's third before. I have no memory of it, but then, it was in 2003, which was six years ago. However I played it then, chances are rather good that I'll play it much better now.

I am so very excited to be working with this conductor.

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* The original post at Owls' Court
* Owls' Court: the main journal
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