Cello lessons are getting better, although I’m still having moments where I freeze up or can’t work through a small problem. My teacher had to remind me about things we’d worked on months ago — caterpillars, the little bounce in the shift that provides shock absorption so the shift doesn’t sound harsh — but for once my right hand was behaving. So now my focus is on smooth shifts, elegant ones, done at the same speed my bow hand is moving at instead of rushing the shift.
9 November 2009:
And I had my cello lesson last night, where we worked on the group pieces for the recital. The great Focus on Shifting continued, with the key thing I brought away from this particular lesson being the concept of shifting over the wall instead of through it, using the slight elastic bounce off the fingerboard to travel on the string to the target position and then rejoining the fingerboard with another elastic motion. I worked on this about a year ago, using the mental image of a jellyfish or a squid swimming for an analogy to the motion required (whatever works, okay?) and it’s so rewarding to see that absolutely none of it stuck with me once we stopped talking about it. I also had a note on my Brahms waltz/lullaby piece that said WRONG FINGERINGS, noted as such after the last group class when I got tangled up and saw everyone else was shifting differently, and hoo boy, were they ever wrong. We went forty-five minutes over time as a result of trying to get them corrected. My teacher is an absolute saint. I also learned that my proper 7/8 soft case arrived at the luthier! This is going to be a straight trade for the 4/4 case that my 7/8 cello came with. I originally told the luthier I’d stop by next Saturday but that doesn’t make sense time- or gas-wise; I’ll send the 4/4 case over with HRH on Friday, and he’ll make the ten-minute trip to the luthier’s shop after work on Friday on his way to collect the boy.
13 November 2009:
Concert announcement: Wien und München! Yes, gentle readers, the time has come again to make plans to attend the Lakeshore Chamber Orchestra fall concert! Every fall we present an introspective and soul-uplifting concert to celebrate the season, and for your entertainment we have prepared a challenging programme that our new conductor and musical director, Stewart Grant, has titled Wien un München (Vienna and Munich).
Circle Saturday the 28th 21st of November on your calendars. At 19h30 in the Valois United Church in Pointe-Claire (70 Belmont Ave., between King and Queen), the Lakeshore Chamber Orchestra will present the following works:
- Mozart: Ouverture Der Schauspieldirektor (The Impresario), K. 486
Schubert: Rosamunde - incidental & ballet music
Weber: Concerto pour clarinette no. 2 op. 7 - Allegro (soloist: Eric Braley)
Mozart: Die Zauberflöte (The Magic Flute) K. 620- In diesen heil’gen Hallen (soloist: John Manning)
Beethoven: Symphony no. 8 op. 23
Admission is $10 per person; admission is free for those under 18 years of age. The concerts usually last approximately two hours, including the refreshment break. There are driving directions and public transport info on the church website, linked above. I usually encourage people who are vehicle-less to find someone who has a car and share the cost of the driver’s admission to the concert among them. It’s more fun to enjoy the evening in the company of others, after all.
This is the first concert with our official new conductor Stewart Grant. We’re really enjoying the work he’s doing with us, and judging from the reception of the Canada Day concert, audiences are enjoying it, too. Come experience our first proud formal performance with this talented and experienced conductor!
19 November 2009:
I have some cello to work on. Last night’s rehearsal was amazing but incredibly draining; with the fibro being the worst it’s been in two years, I’m moderately concerned about keeling over halfway through the second part of the concert on Saturday night, and no, I am not kidding. I think what will save me is that fact that the Beethoven is at the end on the actual concert night.
23 November 2009:We had an early dinner, and then it was time to dress up for our first official concert under the direction of our new conductor. The boy chose a very nice red cabled sweater to wear. The concert was lovely. Pressing past the usual enthusiastic support I had feedback that the sound was more focused and rich, so evidently we’re doing something right. I was very happy with my performance in the first half, but intermission apparently broke me because I lost focus in the Beethoven. Still, it was very enjoyable. Our clarinet soloist was a knock-down success; I really enjoy doing the second Weber clarinet concerto. We had a fabulous audience of about one hundred people, among whom were Jeff and Devon, Lu, Ceri and Scott, and HRH and the boy, who stood on his father’s lap to applaud and cheer loudly at the end of the Beethoven. Thanks, everyone! And our spring concert has already been announced: Saturday 27 March 2010 (2010, yikes) at Beaurepaire United Church (25 Fieldfare, Beaconsfield, QC) we will be playing Vaughan Williams’ ‘Wasps’ overture, a Haydn symphony (I forget which one, sorry), a Debussy suite (possibly ‘Images’? I don’t think it’s ‘Bergamesque’ because I would certainly remember that, but I didn’t get the title noted down in time and now I’ve forgotten, woe!) and something by Butterworth. Mark the date down now (or whenever you get your 2010 calendar).